Architecture is in the details
EDITORIAL
In this edition of de-PICT, we’ve turned our focus to the, sometimes unfairly overlooked, but extremely important aspect of understanding architecture: the details. While we often prioritise broad concepts and grand forms, it’s the intricacies; the joinery, junctions, materials, and finishes, that truly bring architecture to life. Details are where ideas meet reality, and where drawings can transform into potentially buildable spaces. For students of architecture, learning to design at the detail level is a critical step. Here, abstract thinking meets the practical demands of construction. Details are the seemingly small decisions that give architecture its texture, scale, and emotion. They influence how we touch, move through, and experience place. This edition showcases student work that embraces the challenge of detail. These projects are a reminder that while big ideas, and sweeping concepts shape the vision, it’s attention to detail that makes architecture, architecture.
Written by Matthew Sabransky, 2025 SONA President, and Ellie Munn, 2025 SONA VP Professional Development
CONTRIBUTORS
The Thinking Tree
Tyler ADAMSON | Undergraduate Student | Griffith University

Nucleus: Binna Burra’s Bushfire Museum Memorial
Paula CALIXTO EGUES | Master of Architecture Student | Griffith University
Inspired by the nucleus as a metaphor for community, this memorial fosters resilience, connection, and collaboration. The emotional journey through the space reflects Binna Burra’s 2019 bushfire events—before, during, and after—honouring its people’s identity and strength while supporting collective growth and well-being.


Kennett River Cabin
Lachie HARTNETT | Master of Architecture Student | RMIT
Proposed as Kennett River is submerged into a wetland state from sea level rise, the project is proposed as a system, a functioning kit of parts that can be constructed, dismantled, and reconstructed multiple times over its lifecycle. Thus, it is intended to depict the ebbs and flows of its natural and cyclical surroundings. As such, through the project’s open dialogue with its materials, assembly and context, the work seeks an ideal in which the architecture has always been there. An architecture that has not come into this landscape but out of it.